2024 International Book Awards Winner in Literary Fiction
2024 International Book Awards Finalist in Mystery/Suspense
2023 CIBA Somerset Award Finalist in Literary/Contemporary Fiction
2023 CIBA Clue Award Semi-Finalist for Suspense/Thriller Mysteries

Praise for Five Days in Bogotá

“A beguiling adventure involving valuable paintings and international conspiracy . . . a pulse-pounding game of cat-and-mouse..”
—Kirkus Reviews

“Love thrillers? Me, too, and Linda Moore’s whip smart Five Days in Bogotá adds extra ammunition to the genre, with a feisty art . . . heroine on the verge of bankruptcy who has to thwart art fraud, nefarious ex-boyfriend, and even drug lords, in order to keep her family safe. A hold-your-breath read about what we do for love—of family and of art.”
—Caroline Leavitt, New York Times best-selling author of Pictures of You and With or Without You

“. . . a truly immersive experience. Readers interested in the art world will find her behind-the-scenes depictions of its nuanced bargaining and high-stakes networking fascinating. The characters inhabiting this complicated world are colorful and dynamic . . . A complex and clever thriller that offers an intriguing look at the art world.”
—BookLife Reviews, Editors Pick

“Exotic and exciting, Five Days in Bogotá will drop you into the international art world, where money, power, and prestige keep the stakes running high. Full of characters as colorful as the artworks themselves, Moore brings us a captivating mystery with an ever-present undercurrent of danger. The streets of Bogotá aren't safe, but Ally Blake's past is even more dangerous and she must use all of her wits to make it out of Colombia in one piece. Highly recommend.”
—Mark Pryor, author of the Hugo Marston and Henri Lefort mysteries

“The author’s previous book (Attribution, 2022) concentrated on the art, whereas this one has a larger focus on politics, intrigue, and action. . . . Add this to the thriller section.”
—Booklist

“Beautifully written... a fast-paced book of art dealers hoping to make large profits in an area known for its crime and violence. This story put me on the edge of my seat.”—Bookmarks

“Linda Moore's captivating narrative in Five Days in Bogotá is a masterclass in immersive storytelling. With vivid prose that transports you to the heart of Colombia's bustling art world, Moore crafts a thrilling tale of intrigue and betrayal. I found myself utterly engrossed, envisioning each twist and turn as if I were right there alongside Ally Blake, navigating the perilous landscape of art and deception. This is more than a book—it's a cinematic experience waiting to unfold, and I can't recommend it enough.”
—Jesse Leon, author of I'm Not Broken and No Estoy Roto

“Perfectly captures the socio-political turmoil of Colombia in the early 1990s, making the setting feel rich, vibrant, and lived-in. . . . Moore paces the narrative nicely and uses well-placed curveballs throughout the plot that will keep you guessing as to what's coming next.”
—Readers Favorite, FIVE STARS

“Moore has written a delicious read, rich with her expertise in the art world and seasoned by the salt of espionage and turmoil in South America. . . . Readers familiar with the 1973 coup in Chile, the Iran-Contra Affair, and the El Salvador Death Squads of the 1980s will find shreds of those tragedies threaded throughout Moore's story. What a page-turner this was!”
—Adam Sikes, author of The Underhanded and former CIA paramilitary officer

“It's rare to encounter a book that so convincingly and vividly evokes a time and place, as Five Days does with Pablo Escobar's Colombia. Part thriller, part historical fiction, part glimpse into the small but intriguing world of international art dealing, it's great fun and a worthy read.”
—Ron Currie, author of One-Eyed Man

“Five Days in Bogotá is a gripping literary thriller that sweeps you into the international art world from the first page. Colombia is brought vividly to life, as is the darker, seamier side of the art trade with moments of heart pounding tension that will leave you breathless.”
—Lyn Liao Butler, author of Someone Else's Life

“A romp through the beauty and mysteries of Colombia. Each page is rich with adventure and intrigue!”
—Joshua Mohr, author of Model Citizen, A Memoir

“Linda Moore has done it again. Set during an international art fair in Escobar’s 1990's Columbia, her new novel, Five Days in Bogotá, is a fast-paced, compelling read filled with intrigue, corruption, betrayal, and danger at every turn. Complete with prehistoric whistles, ... contraband paintings worth millions, and men with guns and nothing to lose, this story of a young recently-widowed gallery owner trying to save herself and her family will keep readers on the edge of their seat until the very last page.”
—Anastasia Zadeik, author of Blurred Fates

Praise For Attribution:

“Friends who are not quite friends, scholars with feet of clay, and unexpected finds in very old libraries contribute to an extraordinary ending . . . in this ultimately satisfying read.”
—Booklist

“. . . superb descriptions of Spain, its cities and museums, and seventeenth century art—as well as the often cut-throat world of graduate school. The ensuing intrigue is fast-paced, fun to read, hard to put down.”
—Midwest Book Review

“Moore’s . . . passion and extensive knowledge of art history show on every page. . . . A captivating journey to a specialized world full of drama.”
—Kirkus Reviews

“The story is beautifully written and includes art history as well as descriptions of the restoration of canvas paintings and the ways in which the art market works.”
—Bookmarks

“One does not need to be an art lover to enjoy this bright beam of hope. Readers who enjoy novels with engaging characters who grow through their struggles, and those who enjoy historical fiction, will find Attribution well worth their time.”
—Reader Views, 5-star review

“Filled with exciting findings and daunting setbacks as well as numerous fascinating art references, Attribution is an enthralling read.”
—Seattle Book Review

“Attribution by Linda Moore will grab the interest of art lovers and fans of historical fiction instantly. . . . The writing is gorgeous, sprinkled with lovely dialogues and mesmerizing descriptions.”
—Readers’ Favorite, 5-star review

“Desperate for meaning and to fill the hole left by her younger brother’s death, an art historian searches for a lost painting—and finds herself. Gorgeously written and as rapturous as a Van Gogh, Moore’s book is a winner.”
—Caroline Leavitt, New York Times best-selling author of Pictures of You and With or Without You

“Moore’s compelling debut takes the reader deep into the art world, where power, politics, and privilege have long pushed women out of the picture. Vividly rendered and full of intrigue, this mystery will have readers rooting for its heroine on her quest to uncover the truth and give credit where it’s due. An illuminating and fascinating page-turner!”
—Gina Sorell, author of GMA Buzz pick and NYTBR Editor's Choice The Wise Women

“Moore’s passion for art, and her deep knowledge of the field, makes Attribution as beautifully rendered as the mysterious painting at the center of its gripping mystery. An engrossing debut about the importance and power of truth.”
—Stacey Swann, author of Good Morning America Book Club Pick Olympus, Texas

“Moore delivers a riveting, flawlessly paced plot full of unforgettable characters, satisfying turns, and the complex workings of an art world the author knows intimately. . . . At stake are the reputations of leading historians, the legacy of one of the great master painters, and the brilliance of the women relegated to their shadows—until now.”
—Angela Pneuman, award-winning author of Home Remedies and Lay It on My Heart

“Attribution is an intriguing art-historical fantasia. I loved reading it!”
—Edward J. Sullivan, Professor, History of Art at New York University

“Moore knocked me out with this high-concept arthouse puzzle. I was on my heels the whole time, in the best way, gobbling up the next clue as the book pushed toward an evocative crescendo. A fascinating debut.”
—Joshua Mohr, author of Model Citizen