This reading group guide for The Dovekeepersincludes an , discussion questions and a letter from author Alice Hoffman. The suggested questions are intended to help your reading group find new and interesting angles and topics for your discussion. We hope that these ideas will enrich your conversation and increase your enjoyment of the book.

Topics & Questions for Discussion

1. The novel is split into four principal parts, with each of the main characters—Yael, Revka, Aziza, and Shirah—narrating one section. Which of these women did you find most appealing, and why? Were you surprised to find you had compassion for characters who were morally complex and often made choices that later caused guilt and sorrow?
   
   
2. Yael describes her relationship with Ben Simon as “a destroying sort of love” (p. 46). What does she mean by that? Are there other relationships in the novel that could be described in the same way?
   
   
3. From Yael’s setting free the Romans’ lion, to Shirah’s childhood vision of a fish in the Nile, to the women’s care of the doves, animals are an important component in the book. What did animals mean to the people of this ancient Jewish society, and what specific symbolic forms do they take in the novel?
   
   
4. The figure of Wynn, “The Man from the North,” who comes to serve the women in the dovecote, is based upon archeological finds at Masada. In what ways does Wynn come to bring the women together? Compare Yael’s relationship with Ben Simon to her relationship with Wynn.
   
   
5. How do spells function in the novel? What is the relationship between Shirah’s Jewish beliefs and her use of magic? If you have read other Alice Hoffman novels that include mystical elements—such as Practical Magic or Fortune’s Daughter—how do they compare to The Dovekeepers and its use of magic?
   
   
6. How do Shirah’s daughters react to the intimate friendship that develops between Yael and their mother? Is Shirah a good mother or not?
   
   
7. What do you make of Channa’s attempt, essentially, to kidnap Yael’s baby Arieh? Is Channa different from the other major female characters in the book? Do you find your opinion of her changes?
   
8. “You don’t fight for peace, sister,” Nahara tells Aziza. “You embrace it.” (p. 343) What do you think of Nahara’s decision to join the Essenes? Is she naïve or a true believer?  Do you see similarities between the Essenes and the early Christian movement?
   
   
9. Why is the Roman Legion preparing to attack the Jews at Masada? From historical references in the book, as well as your own knowledge of history, explain the roots of the conflict. Do you feel the lives of the women in The Dovekeepers echo the lives of women in the modern world who are experiencing war and political unrest?
   
   
10. Revka’s son-in-law, the warrior known as The Man from the Valley, asks Aziza, “Did you not think this is what the world was like?” (p. 378). Describe the circumstances of this question. After all her training for battle, why is Aziza unprepared for the experience of attacking a village filled with women and children?
    
    
11. In the final pages of the book, Yael sums up those who perished at Masada, remembering them as “men who refused to surrender and women who were ruled by devotion” (p. 478). Do you agree with her description?
    
    
12. For the women at Masada, dreams contain important messages, ghosts meddle in the lives of the living, and spells can remedy a number of human ills. How does their culture’s acceptance of the mystical compare to our culture’s view on such things today? Do mystical and religious elements overlap? How do they compare to your own views?
    
    
13. In the letter below, Hoffman explains that the historical foundation of her story comes from Josephus, the first-century historian who has written the only account of the massacre. How does knowing that the novel is based on history and archeological findings affect your reading of the book?
    
    
14. Women’s knowledge in The Dovekeepers is handed down from mother to daughter, sister to sister, friend to friend. Why do you think it is so difficult to know what the lives of ancient women were really like? Do you see any connection with the way in which your own family stories are handed down through the generations?

A Letter from Alice Hoffman

Once in a lifetime a book may come to a writer as an unexpected gift.  The Dovekeepers is such a book for me.  It was a gift from my great-great grandmothers, the women of ancient Israel who first spoke to me when I visited the mountain fortress of Masada.  In telling their story of loss and love, I’ve told my own story as well.  After writing for thirty-five years, after more than thirty works of fiction, I was given the story I was meant to tell.

The Dovekeepers is a novel set during and after the fall of Jerusalem (70 C.E.).  The book covers a period of four years as the Romans waged war against the Jewish stronghold of Masada, claimed by a group 900 rebels and their families.  The story is taken from the historian Josephus, who has written the only account of siege, in which he reported that two women and five children survived the massacre on the night when the Jews committed mass suicide rather than submit to the Roman Legion.  It was they who told the story to the Romans, and, therefore, to the world.  I have researched The Dovekeepers for many years, relying not only Josephus’s account, but also on the findings of Yigal Yadin, the archeologist who lead the Masada project.

I was initially inspired by my first visit to Masada, a spiritual experience so intense and moving I felt as though the lives that had been led there two thousand years earlier were utterly fresh and relevant.  The tragic events of the past and the extraordinary sacrifices that were made in this fortress seemed to be present all around me.  It was as if those who had lived there, and died there, had passed by only hours before.  The temperature was well over a hundred degrees and the horizon was shaky with blue heat.  In that great silence, standing inside the mystery that is the past, surrounded by the sorrow of the many deaths that occurred there, I also felt surrounded by life and by the stories of the women who had been there.  In that moment, The Dovekeepers came to life as well.

All My Best,

Alice Hoffman